Jimmy Smith ruled the Hammond organ in the ’50s and ’60s. He revolutionized the instrument, showing it could be creatively used in a jazz context and popularized in the process. His Blue Note sessions from 1956 to 1963 were extremely influential and many, like 1960’s Back at the Chicken Shack and 1958 ‘s The Sermon, are classics. Smith turned the organ into almost an ensemble itself. He played walking bass lines and chordal accompaniment with his left hand, while solos were played with his right hand. A booming, funky presence punctuated every song, particularly the up-tempo cuts. Smith turned the fusion of R&B, blues, and gospel influences with bebop references and devices into a jubilant, attractive sound that many others immediately absorbed before following in his footsteps. Smith initially learned piano both from his parents and on his own. He attended the Hamilton School of Music in 1948, and Ornstein School of Music in 1949 and 1950 in Philadelphia. Smith began playing the Hammond in 1951, and soon earned a great reputation that followed him to New York, where he debuted at the Café Bohemia. A Birdland date and 1957 Newport Jazz Festival appearance launched Smith’s career. His Blue Note recordings included both trio recordings and superb collaborations with Kenny Burrell, Lee Morgan, Lou Donaldson, Tina Brooks, Jackie McLean, Ike Quebec, and Stanley Turrentine, among others. Smith scored more hit albums on Verve from 1963 to 1972, many of them featuring big bands and using fine arrangements from Oliver Nelson. These included the excellent Walk on the Wild Side and Jimmy & Wes: The Dynamic Duo, a collaboration with guitarist Wes Montgomery. His ’70s output was quite spotty, though Smith didn’t stop touring, visiting Israel and Europe in 1974 and 1975. He and his wife opened a club in Los Angeles in the mid-’70s. Smith resumed touring in the early ’80s and continued wowing audiences around the world. He re-signed with Blue Note in 1985, and has done more representative dates for them and Milestone in the ’90s. After a five-year layoff, Smith returned in early 2001 with the blues projects Fourmost Return and Dot Com Blues. He remained a fixture in both small jazz clubs and large festivals until his untimely passing in February of 2005. ~ Ron Wynn & Bob Porter
Go For Whatcha Know - Jimmy Smith
One Night With Blue Note Preserved, Vol. 3 - Art Blakey - Stanley Turrentine - Jimmy Smith - Kenny Burrell - Lou Donaldson - Freddie Hubbard - Johnny Griffin - Curtis Fuller - Walter Davis Jr.
Prayer Meetin’ - Jimmy Smith
THE INCREDIBLE JIMMY SMITH: BACK AT THE CHICKEN SHACK
When I interviewed Jimmy Smith at his home in Sacramento, Calif., in 1994 for a DownBeat feature, he was quick to expound on the virtues of the Hammond B-3 organ, which he singlehandedly took from relative obscurity (and church) into the jazz forefront, beginning with his 1956 debut A New Sound…A New Star…Jimmy Smith at the Organ, Volume 1. “The Hammond has body,” he said with messianic... read more
CLASSIC VINYL REISSUE SERIES 2025 TITLES ANNOUNCED
Blue Note Records has announced the next run of titles in the Classic Vinyl Reissue Series, which presents all-analog 180g vinyl reissues that are mastered by Kevin Gray from the original master tapes and manufactured at Optimal. Curated by Don Was and Cem Kurosman, the series continues its exploration of the... read more
CLASSIC VINYL REISSUE SERIES 2023-2024 TITLES ANNOUNCED
Blue Note Records has announced the next run of titles in the Classic Vinyl Reissue Series, which will present 180g all-analog vinyl reissues of some of the most iconic masterpieces of the Blue Note catalog by jazz legends including Art Blakey, Donald Byrd, Miles Davis, Wayne Shorter, Herbie Hancock, Sonny Rollins,... read more
