The history of Blue Note Records — jazz’s preeminent record label, and one of the most storied imprints in all of music — is defined by a seamless blend of tradition and innovation. From the advent of hard bop to the label’s knack for elevating the greatest young talent in jazz, the Blue... read more
By Evan Haga
Little Big III is the second album that pianist Aaron Parks has released on Blue Note as a bandleader, following 2008’s Invisible Cinema, a powerfully modern, post-genre concept for improvised music in the 21st century. Which makes it a homecoming of sorts. And like any important... read more
By Marcus J. Moore
You don’t appreciate growing up until you look in the mirror and notice something’s different. Though maturing in itself is the act of physical and hormonal evolution, it’s not until you’re in a foreign city, eating something an elder used to cook to see how it... read more
By John Murph
Saxophonist Walter Smith III pays homage to his hometown of Houston, Texas on his sophomore Blue Note album, three of us are from Houston and Reuben is not. The album’s wry title signifies the lineup, which includes fellow Houston natives – pianist Jason Moran and drummer Eric... read more
By Dan Ouellette
Philosopher, poet, and shaman of jazz, tenor saxophonist Wayne Shorter followed up on his 1964 debut for Blue Note, Night Dreamer, with another timeless album, JuJu, recorded a mere three months later on August 3 at Rudy Van Gelder’s studio. After five years as saxophonist and... read more
By Evan Haga
After 27 years and nearly 20 albums, it still bears repeating that Bill Charlap is one of the great jazz piano players, and that his trio with bassist Peter Washington and drummer Kenny Washington is one of the great working jazz groups of our day. But what does that mean, and why... read more
By Shannon J. Effinger
The prescience of James Baldwin is alive nearly forty years after his passing, a testament to his enduring impact. A prolific writer, his essays, novels, plays, and poetry have assessed and often reproached the human condition. As an activist, his oratory prowess in the... read more
By Dan Ouellette
During his 1960s tenure with Blue Note Records, tenor saxophonist Joe Henderson appeared on close to thirty albums as a valuable go-to session sideman. For starters, he contributed to Horace Silver’s Song for My Father, Andrew Hill’s Point of Departure, and Lee Morgan’s... read more