Born August 3, 1936 in Chicago, Illinois, and raised in Fort Wayne, Indiana, Jack Wilson studied piano at Fort Wayne College of Music and the University of Indiana, with time out for a fleeting professional foray with James Moody. He briefly played baritone saxophone but after settling in Columbus, Ohio, he played piano with musicians such as Rahsaan Roland Kirk. He joined Dinah Washington and in bands led by the singer’s then husband, Eddie Chamblee. In Chicago in the late 50s, he was in bass player Richard Davis’ trio, and then served in the US Army, playing tenor saxophone in military bands. After military service Wilson briefly rejoined Washington, recording with her as a member of Quincy Jones’ studio band, before entering the Los Angeles film and television studios. He was also in outfits recording behind singers such as Sammy Davis Jnr. , Julie London, O.C. Smith, Nancy Wilson and Sarah Vaughan, and played on Curtis Amy’s Katanga!, while on alto saxophonist Earl Anderza’s Outa Sight he played harpsichord. During these same years, Wilson was a regular member of Gerald Wilson’s big band, appearing on albums including Moment Of Truth and The Golden Sword.
Wilson led his own small bands for a flurry of 60s recording dates, including three stand-out albums for Blue Note: Something Personal (1966), Easterly Winds (1967), and Song for My Daughter (1968-69). During most of the 70s, Wilson was usually behind the scenes in studio work, but he made more own-name dates in the late 70s and also played with Eddie Harris and Lorez Alexandria. In the early 80s he recorded with Clark Terry and was with Sonny Stitt and Richie Cole on a tour of Australia. In New York City in the mid-80s, he worked in duo with bass player Ed Schuller.
A dynamic, hard bop player, Wilson was vigorous and inventive and displayed considerable technical mastery and dexterity. Reissues of some of his 60s albums have revived interest in this fine, if lesser-known and under-valued pianist.
In Blue Note Records: The Biography, the British jazz critic Richard Cook commends the work of Francis Wolff and Alfred Lion, co-founders of Blue Note, for recording Meade Lux Lewis, Albert Ammons and James P. Johnson, innovators of the boogie-woogie and stride piano styles. "These beautiful sessions," Cook writes, "suggest that Blue Note might have gone on to compile a piano history of... read more
Blue Note Records has announced the upcoming 2023 line-up for the Tone Poet Audiophile Vinyl Reissue Series. The acclaimed series is produced by the “Tone Poet” Joe Harley and features all-analog, 180g audiophile vinyl reissues that are mastered from the original master tapes by Kevin Gray of Cohearent Audio. Tone... read more