Saxophonist Branford Marsalis, one of the foremost jazz artists of our time and a pacesetting creative force in the music for more than four decades, has signed to Blue Note Records, the legendary label and standard bearer of The Finest In Jazz Since 1939. Marsalis will release his Blue Note debut... read more
Blue Note Records has announced the next run of titles in the Classic Vinyl Reissue Series, which presents all-analog 180g vinyl reissues that are mastered by Kevin Gray from the original master tapes and manufactured at Optimal. Curated by Don Was and Cem Kurosman, the series continues its... read more
Blue Note Records has released Forces of Nature: Live at Slugs’, a never-before-issued live recording of jazz legends McCoy Tyner and Joe Henderson leading a stellar quartet with bassist Henry Grimes and drummer Jack DeJohnette at the hallowed lost NYC jazz shrine, Slugs' Saloon, in 1966.... read more
Blue Note Records has signed the acclaimed trumpeter and composer Brandon Woody, a talented young Baltimore-born and based jazz artist who has been turning heads in the jazz world and beyond in recent years. Woody has just finished recording his debut album featuring his longtime band Upendo, which... read more
The Blue Note Records story has unfolded over the past 85 years with equal regard for jazz’s past and its future, a seamless blend of tradition and innovation, and a mission to elevate the greatest young talent in jazz. Out Of/Into, the all-star collective that began its life earlier this year as... read more
Blue Note Records announces the launch of the Tone Poet Society, a new subscription service dedicated to the Tone Poet Audiophile Vinyl Reissue Series. Today, we're also announcing the 2025 line-up of the acclaimed series which is produced by the “Tone Poet” Joe Harley and features definitive... read more
The history of Blue Note Records — jazz’s preeminent record label, and one of the most storied imprints in all of music — is defined by a seamless blend of tradition and innovation. From the advent of hard bop to the label’s knack for elevating the greatest young talent in jazz, the Blue Note story has unfolded over the past 85 years with equal regard for jazz’s past and its future. Out Of/Into, the... read more
By Evan Haga Little Big III is the second album that pianist Aaron Parks has released on Blue Note as a bandleader, following 2008’s Invisible Cinema, a powerfully modern, post-genre concept for improvised music in the 21st century. Which makes it a homecoming of sorts. And like any important homecoming, it gathers its meaning by placing the profound changes that life brings against a backdrop of... read more
By Marcus J. Moore You don’t appreciate growing up until you look in the mirror and notice something’s different. Though maturing in itself is the act of physical and hormonal evolution, it’s not until you’re in a foreign city, eating something an elder used to cook to see how it compares, that you long for yesteryear. You start to miss that rickety screen door and the couch that no one could sit on. You... read more
By John Murph Saxophonist Walter Smith III pays homage to his hometown of Houston, Texas on his sophomore Blue Note album, three of us are from Houston and Reuben is not. The album’s wry title signifies the lineup, which includes fellow Houston natives – pianist Jason Moran and drummer Eric Harland – while bassist Reuben Rogers, who hails from the Virgin Islands, rounds out the quartet. Together they... read more
By Dan Ouellette Philosopher, poet, and shaman of jazz, tenor saxophonist Wayne Shorter followed up on his 1964 debut for Blue Note, Night Dreamer, with another timeless album, JuJu, recorded a mere three months later on August 3 at Rudy Van Gelder’s studio. After five years as saxophonist and composer/musical director with Art Blakey’s Jazz Messengers—a considerably long tenure with the band that usually... read more