VIBRAPHONIST JOEL ROSS RETURNS WITH NEW ALBUM “WHO ARE YOU?” OUT OCT. 23

August 28, 2020

On October 23, acclaimed vibraphonist and composer Joel Ross will release his highly anticipated sophomore album Who Are You? on Blue Note Records. The album features Ross’ band Good Vibes with Immanuel Wilkins on alto saxophone, Jeremy Corren on piano, Kanoa Mendenhall on bass, and Jeremy Dutton on drums, plus special guest Brandee Younger on harp. The lead single “More?” is available today to stream or download, and the album can be pre-ordered on vinyl, CD, or download.

“This record is a culmination of our maturing – as people, as a band, within the music – it’s about figuring out who we are,” says Ross. The vibraphonist nurtures his artistry in a continuum. He lets melodies inform improvisation, and collective spontaneity inspire written composition. “I don’t believe in coming into anything with expectations,” he says. “As musicians, we’re just expressing ourselves.”

Inspired by communication through storytelling – a method he absorbed, in part, working with such creative forces as Ambrose Akinmusire, Marquis Hill and Makaya McCraven – and with input from producer Walter Smith III, Ross assembled the album’s narrative in halves. Tracks 1-7 provide setting, as well as character introductions; tracks 8-15, plot twists. Each artist advances the spirit of risk-taking, while maintaining Ross’ vision for story structure.

Who Are You? is the follow-up to Ross’ heralded 2019 debut KingMaker, which made year-end lists in The New York Times (“Joel Ross is already widely known as contemporary jazz’s top prospect. Kingmaker shows that he has what it takes to build something vital”), NPR Music (“KingMaker announces Joel Ross as a crown prince of jazz… the sort of musician who seems to summon the full sweep of the post-bop tradition while tilting decisively toward the future”), and Rolling Stone (“KingMaker, the debut from young vibraphone marvel Joel Ross, featured thrilling back-and-forth improv… But just as striking was the leader’s remarkably assured compositional vision”). Pitchfork wrote that Ross “shines on his debut album, with an approach that feels sly and mysterious… KingMaker is a marvel.”

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