Biography
Grant Green was born in St. Louis on June 6, 1931, learned his instrument in grade school from his guitar-playing father and was playing professionally by the age of thirteen with a gospel group. He worked gigs in his home town and in East St. Louis, IL, until he moved to New York in 1960 at the suggestion of Lou Donaldson. Green told Dan Morgenstern in a Down Beat interview: “The first thing I learned to play was boogie-woogie. Then I had to do a lot of rock & roll. It’s all blues, anyhow.”
His extensive foundation in R&B combined with a mastery of bebop and simplicity that put expressiveness ahead of technical expertise. Green was a superb blues interpreter, and his later material was predominantly blues and R&B, though he was also a wondrous ballad and standards soloist. He was a particular admirer of Charlie Parker, and his phrasing often reflected it. Green played in the ’50s with Jimmy Forrest, Harry Edison, and Lou Donaldson.
He also collaborated with many organists, among them Brother Jack McDuff, Sam Lazar, Baby Face Willette, Gloria Coleman, Big John Patton, and Larry Young. During the early ’60s, both his fluid, tasteful playing in organ/guitar/drum combos and his other dates for Blue Note established Green as a star, though he seldom got the critical respect given other players. He was off the scene for a bit in the mid-’60s, but came back strong in the late ’60s and ’70s. Green played with Stanley Turrentine, Dave Bailey, Yusef Lateef, Joe Henderson, Hank Mobley, Herbie Hancock, McCoy Tyner, and Elvin Jones.
Sadly, drug problems interrupted his career in the ’60s, and undoubtedly contributed to the illness he suffered in the late ’70s. Green was hospitalized in 1978 and died a year later. Despite some rather uneven LPs near the end of his career, the great body of his work represents marvelous soul-jazz, bebop, and blues.
A severely underrated player during his lifetime, Grant Green is one of the great unsung heroes of jazz guitar. Like Stanley Turrentine, he tends to be left out of the books. Although he mentions Charlie Christian and Jimmy Raney as influences, Green always claimed he listened to horn players (Charlie Parker and Miles Davis) and not other guitar players, and it shows. No other player has this kind of single-note linearity (he avoids chordal playing). There is very little of the intellectual element in Green’s playing, and his technique is always at the service of his music. And it is music, plain and simple, that makes Green unique.
Green’s playing is immediately recognizable — perhaps more than any other guitarist. Green has been almost systematically ignored by jazz buffs with a bent to the cool side, and he has only recently begun to be appreciated for his incredible musicality. Perhaps no guitarist has ever handled standards and ballads with the brilliance of Grant Green. Mosaic, the nation’s premier jazz reissue label, issued a wonderful collection The Complete Blue Note Recordings with Sonny Clark, featuring prime early ’60s Green albums plus unissued tracks. Some of the finest examples of Green’s work can be found there. ~ Michael Erlewine and Ron Wynn
Releases
Live At The Lighthouse - Grant Green
The Final Comedown - Grant Green
Shades of Green - Grant Green
Visions - Grant Green
Live At The Club Mozambique - Grant Green
Alive! - Grant Green
Green Is Beautiful - Grant Green
Carryin’ On - Grant Green
I Want To Hold Your Hand - Grant Green
Street Of Dreams - Grant Green
Talkin’ About! - Grant Green
Solid - Grant Green
Matador - Grant Green
Idle Moments - Grant Green
Am I Blue? - Grant Green
Blues For Lou - Grant Green
Feelin’ The Spirit - Grant Green
Goin’ West - Grant Green
The Latin Bit - Grant Green
Born To Be Blue - Grant Green
Oleo - Grant Green
Nigeria - Grant Green
Gooden’s Corner - Grant Green
Standards - Grant Green
Grantstand - Grant Green
Sunday Mornin’ - Grant Green
Green Street - Grant Green
Grant’s First Stand - Grant Green
First Session - Grant Green
Videos
ANNOUNCING THE THIRD MAN-BLUE NOTE 313 SERIES
News
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CLASSIC VINYL REISSUE SERIES 2024 TITLES ANNOUNCED
Blue Note Records has announced the next run of titles in the Classic Vinyl Reissue Series, which presents affordable 180g all-analog vinyl reissues in standard packaging that are mastered by Kevin Gray from the original master tapes and manufactured at Optimal. Curated by Don Was and Cem Kurosman, the series... read more
CLASSIC VINYL REISSUE SERIES 2023-2024 TITLES ANNOUNCED
Blue Note Records has announced the next run of titles in the Classic Vinyl Reissue Series, which will present 180g all-analog vinyl reissues of some of the most iconic masterpieces of the Blue Note catalog by jazz legends including Art Blakey, Donald Byrd, Miles Davis, Wayne Shorter, Herbie Hancock, Sonny Rollins,... read more
ANNOUNCING THE THIRD MAN-BLUE NOTE 313 SERIES
Third Man Records and Blue Note Records are proud to announce the 313 Series Partnership, showcasing five Detroit-themed albums from the Blue Note catalog specially chosen for re-release by Blue Note Records President – and Detroiter – Don Was. The 313 Series Partnership will include such classic Blue Note titles... read more
TONE POET AUDIOPHILE VINYL REISSUE SERIES 2023 LINE-UP
Blue Note Records has announced the upcoming 2023 line-up for the Tone Poet Audiophile Vinyl Reissue Series. The acclaimed series is produced by the “Tone Poet” Joe Harley and features all-analog, 180g audiophile vinyl reissues that are mastered from the original master tapes by Kevin Gray of Cohearent Audio. Tone... read more
CLASSIC VINYL REISSUE SERIES 2023 TITLES ANNOUNCED
Blue Note Records has announced the next run of titles in the Classic Vinyl Reissue Series, which presents affordable 180g all-analog vinyl reissues in standard packaging that are mastered by Kevin Gray from the original master tapes and manufactured at Optimal. Curated by Don Was and Cem Kurosman, the series... read more
TONE POET AUDIOPHILE VINYL REISSUE SERIES 2021-2022 LINE-UP
Blue Note Records has announced the upcoming 2021-2022 line-up for the acclaimed Tone Poet Audiophile Vinyl Reissue Series, which will kick off March 12 with Charles Lloyd & The Marvels’ new album Tone Poem, the first-ever new release to be included in the series. Fittingly, it was Lloyd who first dubbed Harley... read more
PRESENTING THE BLUE NOTE CLASSIC VINYL REISSUE SERIES
We're proud to present the Blue Note Classic Vinyl Reissue Series, a continuation of our acclaimed Blue Note 80 Vinyl Reissue Series which was launched in celebration of our 80th anniversary in 2019. The Classic Series will once again feature all-analog 180g vinyl pressings in standard packaging that are mastered by... read more
TONE POET AUDIOPHILE VINYL REISSUE SERIES CONTINUES IN 2020
Blue Note Records has announced the continuation of the acclaimed Tone Poet Audiophile Vinyl Reissue Series in 2020. Launched in 2019 in honor of the label’s 80th Anniversary, the Tone Poet series is produced by Joe Harley and features all-analog, 180g audiophile vinyl reissues that are mastered from the original... read more
PRESENTING THE BLUE NOTE 80 VINYL REISSUE SERIES
In honor of Blue Note Records’ 80th Anniversary, the legendary Jazz label is launching the Blue Note 80 Vinyl Reissue Series. Distinct from the Tone Poet Audiophile Vinyl Reissue Series, this 2nd series curated by Don Was and Cem Kurosman features mid-priced 180g vinyl releases in standard packaging with albums... read more
BLUE NOTE LAUNCHES THE TONE POET AUDIOPHILE VINYL REISSUE SERIES
In honor of Blue Note Records’ 80th Anniversary, the legendary Jazz label is launching the Tone Poet Audiophile Vinyl Reissue Series. Blue Note President Don Was brought in “Tone Poet” Joe Harley—co-founder and co-producer of the acclaimed Music Matters audiophile vinyl series—to produce this new... read more
