Biography
Dexter Gordon had such a colorful and eventful life (with three separate comebacks) that his story would make a great Hollywood movie. The top tenor saxophonist to emerge during the bop era and possessor of his own distinctive sound, Gordon sometimes was long-winded and quoted excessively from other songs, but he created a large body of superior work and could battle nearly anyone successfully at a jam session. His first important gig was with Lionel Hampton (1940-1943) although, due to Illinois Jacquet also being in the sax section, Gordon did not get any solos. In 1943, he did get to stretch out on a recording session with Nat King Cole. Short stints with Lee Young, the Fletcher Henderson Orchestra, and Louis Armstrong’s big band preceded his move to New York in December 1944 and becoming part of Billy Eckstine’s Orchestra, trading off with Gene Ammons on Eckstine’s recording of “Blowin’ the Blues Away.” Gordon recorded with Dizzy Gillespie (“Blue ‘N’ Boogie”) and as a leader for Savoy before returning to Los Angeles in the summer of 1946. He was a major part of the Central Avenue scene, trading off with Wardell Gray and Teddy Edwards in many legendary tenor battles; studio recordings of “The Chase” and “The Duel” helped to document the atmosphere of the period.
After 1952, drug problems resulted in some jail time and periods of inactivity during the ’50s (although Gordon did record two albums in 1955). By 1960, he was recovered and soon he was recording a consistently rewarding series of dates for Blue Note. Just when he was regaining his former popularity, in 1962 Gordon moved to Europe where he would stay until 1976. While on the continent, he was in peak form and Gordon’s many SteepleChase recordings rank with the finest work of his career. Gordon did return to the U.S. on an occasional basis, recording in 1965, 1969-1970, and 1972, but he was to an extent forgotten in his native land. It was therefore a major surprise that his return in 1976 was treated as a major media event. A great deal of interest was suddenly shown in the living legend with long lines of people waiting at clubs in order to see him. Gordon was signed to Columbia and remained a popular figure until his gradually worsening health made him semi-active by the early ’80s. His third comeback occurred when he was picked to star in the motion picture ‘Round Midnight. Gordon’s acting was quite realistic and touching. He was nominated for an Academy Award, four years before his death after a very full life. Most of Dexter Gordon’s recordings for Savoy, Dial, Bethlehem, Dootone, Jazzland, Blue Note, SteepleChase, Black Lion, Prestige, Columbia, Who’s Who, Chiaroscuro, and Elektra Musician are currently available. ~ Scott Yanow
Releases
The Other Side Of Round Midnight - Dexter Gordon
Gettin’ Around - Dexter Gordon
Clubhouse - Dexter Gordon
One Flight Up - Dexter Gordon
Our Man In Paris - Dexter Gordon
A Swingin’ Affair - Dexter Gordon
Go! - Dexter Gordon
Landslide - Dexter Gordon
Dexter Calling - Dexter Gordon
Doin’ Allright - Dexter Gordon
SPOTLIGHT
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SUMMER OF ’62: DEXTER GORDON’S “GO!” & “A SWINGIN’ AFFAIR”
Dexter Gordon, the tall tenor saxophonist from Los Angeles whose late-in-life acting role in the movie Round Midnight earned him an Oscar nomination, had a recording career that spanned five decades. From his earliest sessions under his own name in 1943 to his final album, The Other Side of Round Midnight, released in 1986, his fluid, behind-the-beat lines and full, spacious sound are instantly... read more
News
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CLASSIC VINYL REISSUE SERIES 2024 TITLES ANNOUNCED
Blue Note Records has announced the next run of titles in the Classic Vinyl Reissue Series, which presents affordable 180g all-analog vinyl reissues in standard packaging that are mastered by Kevin Gray from the original master tapes and manufactured at Optimal. Curated by Don Was and Cem Kurosman, the series... read more
TONE POET AUDIOPHILE VINYL REISSUE SERIES 2021-2022 LINE-UP
Blue Note Records has announced the upcoming 2021-2022 line-up for the acclaimed Tone Poet Audiophile Vinyl Reissue Series, which will kick off March 12 with Charles Lloyd & The Marvels’ new album Tone Poem, the first-ever new release to be included in the series. Fittingly, it was Lloyd who first dubbed Harley... read more
PRESENTING THE BLUE NOTE CLASSIC VINYL REISSUE SERIES
We're proud to present the Blue Note Classic Vinyl Reissue Series, a continuation of our acclaimed Blue Note 80 Vinyl Reissue Series which was launched in celebration of our 80th anniversary in 2019. The Classic Series will once again feature all-analog 180g vinyl pressings in standard packaging that are mastered by... read more
PRESENTING THE BLUE NOTE 80 VINYL REISSUE SERIES
In honor of Blue Note Records’ 80th Anniversary, the legendary Jazz label is launching the Blue Note 80 Vinyl Reissue Series. Distinct from the Tone Poet Audiophile Vinyl Reissue Series, this 2nd series curated by Don Was and Cem Kurosman features mid-priced 180g vinyl releases in standard packaging with albums... read more
BLUE NOTE LAUNCHES THE TONE POET AUDIOPHILE VINYL REISSUE SERIES
In honor of Blue Note Records’ 80th Anniversary, the legendary Jazz label is launching the Tone Poet Audiophile Vinyl Reissue Series. Blue Note President Don Was brought in “Tone Poet” Joe Harley—co-founder and co-producer of the acclaimed Music Matters audiophile vinyl series—to produce this new... read more
BLUE NOTE LAUNCHES NEW SERIES OF FRAMED WALL ART FEATURING THE LABEL’S CLASSIC IMAGERY
In honor of Blue Note Records’ 80th Anniversary in 2019, the legendary Jazz label has launched a new series of limited-edition wall art that celebrates the iconic imagery of Blue Note’s classic era. For the first time ever, Blue Note is offering archival-quality, framed canvas prints in dynamic scale... read more
